$109.76
Medium sized (22,2 cm diameter) handpainted 18th century Delft plate, most likely made between 1760 and 1800. The plate is decorated in cobalt blue on a white tin glaze background. The chinoiserie style decoration features a fenced off garden with exotic flowers and trees. In the centre of the garden a prominent structure which looks like a rock, but which actually depicts a lingzhi mushroom, a symbol of longevity in Chinese art (see https://en.wikipedia.org/wiki/Lingzhi_(mushroom)). The edge of the plate is decorated with cloud-like flower ornaments and the rim is painted ochre (yellow-brown).
The backside of the plate has a mark of two stripes, a mark which cannot be related to a specific Delft manufacturer. This is not unusual, as at least 65% of 18th century Delft items has no or no specific marks. Three elongated spur marks are visible on the backside edge, these are marks left by the spurs that the plate was resting upon while being fired in the oven.
This plate is one of a pair, see the last picture for both plates together. The other plate can be found here: https://www.etsy.com/listing/4377764275. Instead of two parallel stripes, it has two crossed stripes as a mark on its backside.
Condition: good, but the plate has three edge chips to the earthenware which are mostly visible on the backside and slightly visible from the front side (see detail pictures). The price of the item has been adjusted for this. Aside from this, the plate is in a good condition. The plate has the usual glaze wear on the edge, which is characteristic for antique 17th to 18th century tin-glazed Delftware and should not be considered a defect. In general the glaze is in a very good condition, without any notable scratches and with a beautiful, rich gloss. There are no hairlines, cracks or restorations and there is no crazing of the glaze.
A beautiful and genuine 18th century Delft plate with some minor defects. This plate will look great together with the other similar plate in our shop (found here: https://www.etsy.com/listing/4377764275), or just separately alone. It will add class to both modern and classic interiors. The high quality perspex plate stand featured in the pictures will be provided with the plate.
Place of manufacture: Delft, the Netherlands
Year of manufacture: 18th century, most likely between 1760 and 1800
Method of decoration: handpainted (tin-glaze)
Size: diameter: 22,2 cm, depth: 3,3 cm
Weight: 445 g
Additional pictures of the object can be provided if required.
Two examples of Delft plates from the same period can be found here: https://id.rijksmuseum.nl/20031679 (different decoration, but the same plate model, size and yellow / ochre coloured edge) and here: https://id.rijksmuseum.nl/20031674 (very similar decoration, plate model and size, but without ochre edge).
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About antique Delftware
Antique Dutch Delftware is tin-glazed earthenware that was produced between (roughly) 1620 and 1850. It was developed during the early 17th century by Delft potters as an imitation of the exotic (and expensive) Chinese and Japanese porcelain which was brought from 1600 onwards to the Netherlands. The decorations gradually developed from exact copies of original Chinese and Japanese porcelain into distinctly Delft / Dutch styles, motifs and patterns.
Antique Delftware is quite different from so called 'modern Delftware' which has been produced from the end of the 19th century till present. Modern Delftware (with the notable exception of Tichelaar in Makkum) is often made of a fine white ironstone-like earthenware made from a mix of imported clays, while antique Delftware was always made from local, rather course, yellow-grey or brownish-red baking clays. Another difference is the glaze: antique Delftware used a white tin-glaze, on which the decoration was painted and then burned into the glaze during firing (in-glaze technique). Most modern Delftware is made by painting the decoration first on the white earthenware and then covering it with a transparent glaze (underglaze technique).
During the period 1880 - 1940 it became quite popular to collect antique Delftware, to which clever ceramists in Holland and most notably France (Desvres, Paris) reacted by making affordable imitations of antique Delftware, often still using the original old Delft marks. Much of the 'antique Delftware' which is now found for low prices on the internet falls in this category. It takes some knowledge and experience to distinguish the later imitations from the earlier originals. Important characteristics are the glaze, the model and the painting, as well as other aspects such as spur marks, firing artefacts, colours and edge wear. Three distinct and practical characteristics are: crazing (later imitations will often show a rough and heavy crazing, real antique Delftware will have none or very little crazing), gloss (antique Delftware has a distinct rich and thick gloss, while later imitations will have a very modest or even matte gloss) and the mark (blue painted marks on real antique Delftware will always show some 'flow' of the paint into the white tin-glaze, while later imitations most often do not).
Based on our extensive experience and knowledge we can guarantee that the pieces offered here as antique Delftware are genuine antique pieces, no later imitations.
A rich collection of information on antique Delftware (including a database of marks) can be found on the website www.delftsaardewerk.nl/en.
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This beautiful item will be carefully packed and send by tracked and insured mail.
If you buy multiple items from our shop in one purchase, we will try to combine the items into one parcel. Any excess shipping costs will be refunded.
If you are not satisfied with your purchase, you may contact us within 14 days from the delivery date to return the item. If the item is returned in its original condition, we will issue a refund for the total purchase price of the item (return shipping costs are however not covered).
1-2 business days
Buyers are responsible for any customs and import taxes that may apply. I'm not responsible for delays due to customs.
Just contact me within: 14 days of delivery
Ship items back to me within: 30 days of delivery
But please contact me if you have any problems with your order.
Buyers are responsible for return shipping costs. If the item is not returned in its original condition, the buyer is responsible for any loss in value.
We will send off your order within one or two working days. We use the standard parcel service of PostNL to ship our parcels. You can find their estimated delivery times per country here (shortened link to pdf download of PostNL): https://bit.ly/3ZHTMJ9. In the fourth column (parcels) you can find the delivery times of the standard service (in estimated business / working days). Please keep in mind that customs / import procedures in non-EU countries can sometimes add an extra week (or even two weeks) to the delivery times.
For shipments to the USA we use FedEx Economy delivery, as PostNL temporarily does not deliver to the USA due to changes in import duties. Estimated delivery time is four days after shipping, if all goes well at customs.
Broken ceramics is a thing we do not like! Not only is it a waste of time and money, but it also (often) means the end for a rare and unique item, which was treasured and cared for by their previous owners. So we really want to avoid any damages during shipping!
We have lots of experience of shipping ceramics, and we have seen what works and what does not work to protect ceramics during transit. If we ship multiple items in one package, each item is carefully wrapped and kept well seperated from the other items. We use large boxes, with plenty of buffer all around the items, so the packages can withstand a lot of abuse. All our packages should be able to cope with a 1,5 m drop without the items getting damaged.
Yes we do. We re-use packaging materials as much as possible, which means we rarely need to buy new materials for our packaging. Only foam peanuts are sometimes bought by us, in which case we prefer to use green starch based peanuts which are fully biodegradable, non-toxic and water-soluble.
Each year, we calculate the greenhouse gas emissions in CO2-equivalents caused by our shipping. We multiply that amount by 200% and then offset it in certified CO2 compensation projects based on tree planting / reforestation in various parts of the world. So far, we have offset 35,5 tonnes of CO2 emissions in projects in Bolivia and Borneo (Indonesia). See https://treesforall.nl/en/projects/ for more information on the projects.
First of all, don't let them fall! Always handle them in a mindful way and put them in spots where they cannot be accidentally bumped over when cleaning or vacuuming. Some people put some (clean) sand in vases to make them more stable.
Second, don't clean them too often! Underglaze painted Gouda and Delftware can be perfectly cleaned with water if necessary, but often just dusting them off or polishing them up a bit with a soft dry cloth is enough. Overglaze painted items should not be cleaned too often.
The colours of ceramics do not fade in sunlight, so you can put them in bright spots where they look good. But do avoid large temperature differences, which will cause increased crazing in many Delftware and also Gouda type pieces.